From 1785-1830, Lover’s Eyes were painted on small pieces of ivory, set in jewels, and worn as brooches pinned close to the heart as cherished talismans, clandestine proclamations of love, playful social guessing games, and the metonymic possession of the distant or departed beloved.
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THE WOOING OF KING GEORGE IV & THE ORIGIN OF…
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From 1785-1830, Lover’s Eyes were painted on small pieces of ivory, set in jewels, and worn as brooches pinned close to the heart as cherished talismans, clandestine proclamations of love, playful social guessing games, and the metonymic possession of the distant or departed beloved.